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DJ SWT-HRT - Wossap Mashup [Deadmau5 vs. LMFAO vs. Basement Jaxx vs. Pitbull vs. Daft Punk vs. Village People vs. Black Eyed Peas]


TV Rock feat. Rudy - In The Air (DJ SWT-HRT Remix)

Interview: Dave Spoon (SW4)

Hi Dave for those that don’t know you please give us a brief introduction.

Hi. I press buttons, turn dials & make beats in my studio by day, and play those beats & other beats by night. I’m a former ‘In New DJs We Trust’ resident on BBC Radio 1 & creator of many a well known electronic sounding ditty it seems.

What was the point you decided to take on production full time – what was the deciding moment?

I was teaching Music Tech’ at a college just outside Portsmouth for 7yrs when the time came. I actually could have given up a year or so previous but I guess I was scared about chucking my old regular life in. It was a hard decision as I loved my job at the time, it’s a rewarding thing but music very much overpowered that and keeping all the plates spinning was very hard, as was saying goodbye to my work chums!

What route did you take getting into the music industry?

Most things with me are irregular to be honest. My story is I’ve been making electronic music since I was 12 in 1989 at school. Thats 21yrs of learning all the geeky bit and being good at it. Trouble was I never had any real industry contacts until I got an email about a guy selling a record collection back in 2004. I replied via a web-form and an email came back from Owen at Toolroom about selling his records. We had a chat, I ended up sending a track to them and the rest is history!

How would you describe the music you make?

I’m known for Electro House & all the other styles but to me its just House. It’s always moved in so many directions and you get pigeon-holed so much but to stay afloat you have to move with the times even if you aren’t an out & out innovator. I like to think I have a go at being one of those but it’s not for me to judge. I have other ambitions away from House too but time will tell.

What has been your biggest achievement to date?

Aside from Pete Tong calling me to ask about making records together, it’s got to be getting the opportunity to be a resident on Radio 1’s In New DJs We Trust show. It was very unexpected and as someone who never even considered doing a bit of radio, I loved it. Beeb or not. Not sure I’ll ever dip back into radio but it was a special thing.

How did you initially hook up with the guys at Toolroom?

Well, I never did buy Owens record collection but as soon as Mark Knight heard ‘21st Century’ I was pretty much connected with them. We’ve done a lot for each other over the years and I can’t think of many other labels I’d be proud to be affiliated with.

What’s the best thing about working with them?

They’re a family company. Mark’s brother Stuart is also at the helm and their parents are involved too. Not in the A&R sense though although I could be wrong!? There’s some great other staff on the team also and lets be honest they know how to deliver House music to the world, right?

You have remixed some great artists over the years, which is your favourite remix and why?

Thanks. The mix of Dizzee’s ‘Flex’ is a firm favourite. It’s on the opening titles of the Lee Nelson Well Good Show on BBC three. Also Robyn’s ‘With Every Heartbeat’ I did with Mr Tong.

What tracks at the moment are driving the crowd crazy?

Tony Senghore seems to be coming up with the goods again, amazing. Also a track called ‘Jackit’ on Laidback Luke’s Mixmash label is Hot.

This will be your debut year at SW4 festival, what have you heard about the event?

Lot’s of good stuff. I’ve always been out of town and unable to do it so I’m excited for sure. I can’t wait to have a catch up with friends who are playing too. It’s going to be a great day!

What can we expect from your set?

Beaty music with repetitive undertones, in the style of large.

What is your opinion on the UK club scene at the moment?

Exciting music is coming from the UK for sure. Some new vibes around the actual club scene have made it fresh again too, away from the usual dancefloors. But to be honest the leaders are having it away still. Big up Sankeys, Fabric & Ministry of Sound in particular.

The three essentials you take with you everywhere?

A Twix for that emergency sugar-fix, a lucky Amercian Dollar (long story), and a copy of my ‘Yin For The Kill’ bootleg for any unexpected DJ emergencies.

Do you prefer playing big arenas or the more intimate club venues?

I’m totally on the fence with that one. Arenas & festivals are so amazing but I have to say the smaller clubs are more open minded musically, depending where you are of course. So I can play different at both.

What else have you got planned for 2010 and beyond?

My artist album is finally coming. It’s 90% there, eclectic, beefy & ready to open a few eyes & ears I hope. It’s been in the making for 2 years and no matter what happens I am proud of it and I hope the world will be too!

And finally, a festival tip for anyone heading down to SW4 this summer?

Take a Twix for that emergency sugar-fix. a lucky Amercian Dollar, and a copy of my ‘Yin For The Kill’ bootleg for any unexpected DJ emergencies.

Links of Interest

http://www.davespoon.co.uk/
http://www.myspace.com/davespoon
http://www.facebook.com/pages/Dave-Spoon-Official-Page/34058102608

Source: SW4

Interview: Funkagenda (SW4)

Funkagenda by name, Funkagenda by nature, where are your favourite spots to tear up the dance floor?

Hmmm do you mean dancing or playing? My favourite clubs to play are probably Ministry Of Sound in London, Monday Night Social @ Playhouse in Hollywood, Space in Ibiza or Space in Miami. The last two are probably the only places you’ll ever catch me dancing though!

How did you become involved with team Toolroom?
When they moved into their first office, the area at the back that was to be converted into a studio was still full of sheet ice from the Palaeolithic period. Whilst hacking into it to make space for the console they found my body, frozen in suspended animation. After hanging me over the tea urn for a few hours to defrost, they stuck me in some snow pants and some adidas and I was good to go!

What’s the best thing about being involved with the Toolroom crew?
I would have to say our team building exercises like Exotic Massage Thursday. We all bring in our own essential oils and rub each other to improve morale. Last week my essential oil was maple syrup.

You’re one of the top producers in dance music, what was the deciding influence for you to become a producer?
It was all down to the roll of a dice. In all honesty the dice had the word producer written on 3 of its six faces. The other 3 said porn star.

What is your first memory of music?
My Dad playing Jon Martyn, The Beatles & Paul Young to me in the car on long trips. Jon Martyn is still one of my favorite artists of all time.

You’re performing your South West Four debut this year, what have you heard about this event from fellow DJs?
I spoke to Morillo about it last year. He said there was a lot of wasps.

You’re playing in the Toolroom Arena, what are standard backstage shenanigans for you guys?
Our backstage tour rider includes many special requests. My personal addition is 2 Manatees and a 200 gallon tank of cola jelly.

We’ve all got them but any embarrassing skeletons in your musical closet from years gone by?
I have the skeleton of legendary jazz drummer and band leader Buddy Rich in my closet. I use him as a tie rack.

I have just been reading a blog of yours regarding illegal downloading, some say even though its illegal and depriving artists of earning a living it still serves to promote the artist therefore allowing them to get more gigs, what are your views and what can be done to prevent this?
Well I guess the question you have to ask yourself is “promote artists to what end?” If you’re going to promote somebody, then the end result has to be success. However if you can never make any money from your productions then the “promotion” is futile. Regardless, crime is fundamentally wrong and no amount of protest about the “good” file sharing does will ever detract from the fact that a vast majority of people have the disposable income to purchase music and yet choose not to. That’s nothing to do with promotion, its just opportunistic theft. Because they know they are unlikely to ever be caught they do it. If our whole society was based on this premise we would all run around like Winona Ryder whenever a store security guard’s back was turned.

Who is inspiring you in the studio?
My 3 all time biggest influences are:
BT
Prince
Orbital (Or Daft Punk - These two are kinda neck and neck)

What are your current favourite plug-ins and synths?
At the moment I am battering Camelphat’s Alchemy synth. Its ridiculously good. On the face of it, the interface is a little odd, but once you get involved and have a good rummage around it’s innards its probably the best software synth EVER made.

For any new promising producers currently trying to make the cut, what is your advice?
Knock off the cover versions now please. I know that this probably seems a little jaded coming from somebody who’s biggest track was a cover version of “Man With The Red Face” but honestly, there has barely been an original record released in the last 2 years. Covers/remixes of classic have a place. They are great at festivals and on nights like NYE but other than that it is far better to work on original stuff. Think about it... If I am saying this it MUST have gone too far.

How important is it for those wanting to produce dance music to get a formal education in production?
It totally depends what you want to do I guess. Sometimes formal production can hinder you. Most of the big respected audio educational institutes teach “classic” audio engineering. That stuff is great if you want to really learn about how to “engineer” sound (something I love personally) but for writing dance tunes I think you are far better just diving in. If you get stuck on something just google it.

What producers out there at the moment are really doing it for you?
ThreeSixty, Anil Chawla, Da Fresh, Adam K, Sultan & Ned Shepard, Kim Fai and BT, who is still rocking it better than ANYONE.

How has the Internet impacted on the industry, with regards to reaching your fans and promoting yourself?
Well personally, I think its great that I can speak to people directly through sites like Facebook and Twitter. And I always try to reply to as many people as I possibly can because people deserve it. They are the people who (hopefully) buy your tracks and come to see you play so you owe them everything.

Following on from that, is it easier for DJs/Producers to get noticed because of websites like MySpace or is it just as hard as say a decade ago?
I think people believe they are getting noticed, but just because somebody clicks your “like” button on Facebook, it doesn’t mean they are ACTUALLY your fan. I think its ridiculous when I get requests like that from countries like Egypt or Tunisia. “DJ Raqim Bonjella suggests you like DJ Raqim Bonjella” Oh ok then! I have never heard him play and I live 1000 miles away, but go on I’ll be fan.

What is your preferred method of mixing, what kit are you using?
Well I love CDs but just over a year ago I switched to Ableton Live and an Akai APC40. This allows me to remix and edit things on the fly which is pretty exciting. I just got bored of CDs. When you have mixed on them for the best part of 10 years it gets a little stale.

What can we all expect from your set, how do you plan on keeping it interesting and fresh?
Mid set I was planning on setting myself on fire and launching myself out over the crowd strapped onto the undercarriage of a Cessna light aircraft. After a series of daring loops and dives I will return to the stage via parachute and play “One” by the Swedish House Mafia.

One of your famous tracks ‘What the Fuck’ was an absolute tune, what are the secret ingredients of a great dance track?
Cornflower, Unicorn farts and fertilizer made from Percy Thrower’s bones.

And lastly, a message to the SW4 crowd waiting for you too come from the curtains to the decks?
Yes, there will be no curtains on the stage that day I am afraid so I will probably just walk out from behind some scaffold. I hope this doesn’t disappoint you too much... I know everyone loves a good curtain.

Links of Interest

http://www.myspace.com/funkagenda
http://www.facebook.com/pages/Funkagenda/23178364729
http://www.youtube.com/user/funkagenda

Source: SW4

Interview: Benny Benassi (SW4)

ARTIST INFORMATION
After a decade of dj-ing in clubs around Italy, Benny Benassi rocketed to international stardom in 2003 with the track “Satisfaction”, acclaimed by the likes of Timo Maas, Carl Cox, Dj Hell and Fatboy Slim. The tune dominated all the key charts the world over, won countless awards and suddenly Bennys name was on everyones lips.

Since then, Benny has put out several singles and a million-copy-selling album, gained a stable position as one of the worlds 20 most highly rated djs, remixed Outkast, Goldfrapp, Moby, Felix Da Housecat and Etienne De Crecy, among others, mixed a compilation for Erick Morillos famous Subliminal label and founded his own label, Pump-kin Music.

To kill time before releasing another groundbreaking monster, Benny has produced numerous hits with his faithful studio partner and invisible twin, Alle, under the trademark of Benassi Bros and put out the controversial “Who’s Your Daddy?”.

SW4 INTERVIEW BENNY BENASSI

•SW4:
Benny, it’s a pleasure to welcome you to SW4. Are you looking forward to performing at the festival?
•Benny Benassi:
For sure…. it’s been ages since I played a London festival, can’t wait.
•SW4:
How would you describe the London club scene?
•Benny Benassi:
To be honest, I spend most of my time in U.S.A. these days. I’ve been playing parties at Ministry of Sound that have been really great. But I haven’t been to see other DJs in London clubs over the last couple of years, so I would be an impostor if I tried to answer.
•SW4:
What can we expect from Benny Benassi at SW4?
•Benny Benassi:
I’ll do my best to enchant you. I have a few surprises up my sleeve.
•SW4:
Last year you were also placed #26 in the DJMag Top 100 DJ Poll which is obviously a massive achievement for any DJ. How does it make you feel that so many people like your music?
•Benny Benassi:
I am a very lucky person.
•SW4:
What is your top 3 favourite tunes of all time?
•Benny Benassi:
I have my favourite 3 records right now which are different from my favourite 3 records yesterday… and so on. Right now I’m really enjoying the new Felix da Housecat track.
•SW4:
Also, do you have a tune that hasn’t left your records bag for a while?
•Benny Benassi:
Felix – Thee Anthem
•SW4:
Going back to the beginning of your music career, how did it all start for you?
•Benny Benassi:
As a kid I was really into Eighties electropop and disco…you know, Human League, Giorgio Moroder…I then started DJing in my local club. It was all vinyls back then, the golden age of twelve inches.
•SW4:
As House / Electro / Techno is ever changing, how would you describe your sound today to us?
•Benny Benassi:
A lot of critics say I’m electic. Actually I’m just confused.
•SW4:
We see you grew up in Reggio Emilia in Italy. What is the electronic music scene like there?
•Benny Benassi:
Amazing for such a small town, particularly on the production side. It’s the city that gave us Black Box and a host of pop-house hits like Whigfield, etc.
•SW4:
What can we expect from Benny Benassi in the next 12 months?
•Benny Benassi:
A new album and me touring California in a bicycle.
•SW4:
You have collaborated with and remixed a very wide range of artists. Do you have any exciting collaborations in the pipeline that we can look forward to?
•Benny Benassi:
A lot of exciting stuff on the album with great singers and writers you wouldn’t naturally expect to hear perform over the Benassi sound.
•SW4:
What has been your favourite gig in the last 12 months?
•Benny Benassi:
There have been many. I really enjoyed playing at Pacha in Ibiza with the Swedes. They put on a great party. Beatpatrol in Austria was awesome.
•SW4:
Do you have any surprises in store for us at SW4?
•Benny Benassi:
Yes.
•SW4:
What’s the craziest thing that has ever happened to you whilst on the decks?
•Benny Benassi:
Some are not fit for publishing, but one of my favourites is my manager falling asleep in the booth (in Canada) while I was playing. He was perched on a stool, actually leaning against a 5000 watt stack, snoring.

To download Benny Benassi mix click HERE

Links of Interest
http://www.bennybenassi.com/
http://www.myspace.com/benassi
http://www.southwestfour.com

Source: BeatsMedia / SW4

News: Steve Angello - KNAS & Video Teaser

UK Release Date: 1st August 2010

Having spent the last year hidden deep in Steve Angello’s CD wallet of battle weapons, ‘KNAS’ finally see’s the light of day. Already picking up spins from Pete Tong and Alex Metric on Radio 1 – you better believe the hype. Simple minimal beats mixed to perfection, a killer synth stab glued neatly with a wobbling bass line of monstrous proportions, ‘KNAS’ will be creating havoc on a dance floor near you for a long time to come!!!

Armed with a slew of new CDs and enough confidence to rebuild Hadrian’s Wall, Steve Angello totally destroyed the Space terrace at the inaugural Ibiza opening on May 31st – but in truth, the momentum has been building on Steve Angello’s music for some time now. First up was arguably his globe-straddling Moby remix of ‘Raining Again.’

Then it was ‘Tell Me Why’ with Sebastian Ingrosso and ‘Be’ with Laidback Luke. And then ‘Be’ returned in spirit (and b-line) for ‘Show Me Love’ with original vocalist Robin S and Laidback Luke in tow, smashing clubs and Top Ten charts into tiny pieces everywhere it was dropped. “It’s a huge track as we all know,” says Steve Angello.

“It’s just one of those tracks. It’s done a lot of good stuff for me so I do a new bootleg of it every six months. The best thing about it is everywhere I go, it’s the one track that everyone wants to hear. I may have played it 60,000 times but people still want to hear it!”

Since we last looked, Steve Angello decamped to Los Angeles where he’s been living at least 50% of the time, boosting his creativity and inner confidence to all-new levels. “I love playing in The States, it’s a scene that’s ready to explode,” he states. “They’re getting kind of bored of American DJs so I go one week a month to keep them interested in us. The scene in LA is huge – we used to play to 1500, now it’s closer to 4000. I play at Mansion and Avalon in LA and Pacha in New York. I love Pacha New York too – it’s Erick’s club! – they got the place up on its feet and it catches that typical New York feeling. You also remember every face on the dance-floor.”

But L.A. is Steve’s new home and he despite having played pretty much every club on the American circuit, he says Avalon remains his favourite club spot. “The vibe in there is just ridiculous! It’s the only club that goes past 4AM. When the light comes in at 6AM, I still have 4 hours to go. And then I can jump in my car and go home.”

Needless to say, music is Steve’s main priority in 2009. “You know, I think if you come to LA and want to work, it’s important… they’re tired of producers doing one track and disappearing – I’m a workaholic!”

But when he’s not spinning or driving, there’s still much to do. When he wakes up, Angello is still very much the A & R supremo for Size Records, wherever he lays his hat that night. The label is now firing with released by himself, Kim Fai, Funkagenda and Marcos Schauss upcoming this year alone. “Marcus is doing well, he’s a great DJ and he plays a little darker than me which is great,” says Steve. “I also signed my brother Antoine to the label. He’s 19, he’s young and fresh - he’s like me when I was 19, he’s really determined – I gave him a taste of the DJ life and he loved it!” Well, who wouldn’t? “At least I can steer him the way I want him to go,” reasons his big brother.

He’s also working with Funkagenda – “such a great producer! He’s already done a couple of pieces for the label,” states Steve. “I love having him at my parties.” Steve is ready for the Mafia summer to begin. Mondays at Pacha with Seb and Axwell – what more could he ask for? “It’s so good to be having our own night and finally we got it. Every Monday will be like New Year’s Eve!”

And what about Steve’s own album? “I’m doing the Mescalkid album which is more techno – I have a Mescalkid track coming out on Sci- Tec, a dark techno track I really love but you know, I’m still making three new tracks a week! But my album is going to be really house and techy…. I got a couple of vocals in the bag but it’s too early to say.” And then of course there’s the small matter of the upcoming

N*E*R*D* collaboration they’re about to finish. “We met in Sydney. We started to talk and ‘Be’ was playing in the background and Pharrell said he loved the track. We had four days off and that’s when we nailed it. I think everything is moving towards electronic dance music. Everybody is interested in what we are doing.” And what of the song, Steve? “It’s a very simple vocal – there are some really nice harmonies and then it has a banging bassline.” And what did Steve learn from N*E*R*D*, we wonder? “The guy is a workaholic and you can definitely tell. He doesn’t drink or party, he works 24/7… I was surprised how hard he could focus. And I thought I worked hard.”

www.facebook.com/steveangello
http://www.myspace.com/steveangello
http://www.youtube.com/user/steveangelloofficial?blend=1&ob=4



Source: BeatsMedia

Interview: Robert Babicz

To be involved in the electronic music scene for 20 years is no mean feat, but to stay relevant throughout that time is the real challenge. German producer, DJ and label head Robert Babicz, though, has had no trouble in remaining at the top of the pile.

Through a varied series of singles, albums and monikers, Babicz has joined the dots between experimental electronica, dance floor aligned tech house and trippy, envelope nudging acid.

March this year saw the release of his fourth studio album, Immortal Changes - a typically diverse record which goes from involved and ambient to big and bouncy at whim - whilst this month sees him launch his second label, Babiczstyle. As someone who is notoriously interested in the finer details of sound design, Babicz's new label is surely going to be one worth keeping an ear out for.

As such, we caught up with him by email to find out more ahead of his first Ibiza date for Warung at Privilege next Wednesday July 21st...

What have you learnt about music and yourself in your long career?
I learned the importance of emotions and how to put them into music.

I understand you have a fascination with making sound, tweaking and rewiring machines to get new things out of them - where does that come from? When and why did it start?
I was never happy with my mixdowns in the first 10 years of my career, at one point I decided it must stop and I have to learn what I can do to be on the top. Then step by step I learned everything by myself.

And what is it about making freaky sounds you like so much? Why is it important to making music?
It makes the music more interesting, it's like cooking food with extra spice.

How do you then go about turning these abstract sounds into a track with soul, narrative, meaning? What's the process?
I am very intuitive in the studio, don't think so much about how to do things, I mostly play around and slowly it grows till I find the right theme I was searching for, then it's very easy, my inner voice tells me everything.

How important is it to fully engage with the music you make, rather than just looping shit in Ableton?
It's everything, it's about life and all your thoughts of the moment put together into music. For my it's like a magic ritual to make music, my mind gets into this state of flow. Dynamics give you much more colour to work with... music without it would be just like Deadmau5, only loud or off?! Do we really want that?...

And what influences your music? Other music; people; art; emotions?
All things that happen in my life - the flowers that get dirty from staying on the road; people I see at airports; people I talk to... nearly everything is influencing me. As a kid I was sci-fi fan, it's still working on me, this freedom of thought. I love movies; I love other music from classic to experimental noise.

But most important are how humans interact with each other, every weekend - while I play my sets - I see how much I love our species again and again. Without music our lives would be a syntax error!

And you're a keen engineer I understand? You prize dynamics in music highly - why is that so important?
Dynamics give you much more colour to work with... music without it would be just like Deadmau5, only loud or off?! Do we really want that? We want music to have all kind of emotions in different dynamic stages. Think about that music were you have possibilities to have things going on from 0-1.000.000 or just over compressed music with 0-100. What is better?


So you're starting a new label - why now? What brought the decision about? Why not just revive your first label, Shortcut Recordings?
It's simply the time for BABICZSTYLE, the right moment. I want a complete personal model of a label, as I do the music, mastering, I do the pictures, and I do the videos myself. Also on the label I will just release me and collaborations with friends, so I will have full control.

And can you describe your style (ie what is Babiczstyle)?
For me its emo-tech in the best possible soundpicture I can do.

What will be the label's outlook and aims? How will you make an identity?
Look at the logo, hear the music, I think it's clear that the label has a face ;-)

How will you decide who releases on the label; what sort of music/feel/emotions are you looking for?
Like I said, I will only release myself and collabs with friends, from Gui Boratto to Charlie May over to Martin Eyerer and so on and on..... I am not limited; I just want to make the music that I would buy myself.

Is it important for you to keep vinyl alive? Will the label release vinyl? If so, what do you like about the medium/what are its advantages? If not, why not?
I will do 12" from every release, as there are still many people loving this way of having music. For myself, I am not sure, I am not a DJ myself and don't buy records so much. The sound of a good record is still very nice, and will be forever.

Acid is still alive, like it always was. I play acid in every set and have for 20 years. It's just the way you put it in... everything is possible....

You've always been a prolific producer - where do you get so many ideas and inspirations? What triggers you wanting to write a track? Are they planned, ad hoc, results of a night out, certain emotion, bad day, good day etc?
I ask myself a lot why I do all this, and to be honest I don't know- I have to do it. It's like I can't stop doing it, I am obsessed. Maybe a demon is living in me! I am not interested in money or fame at all, I just love sounds and music, and I've dedicated my life to this.

And similarly what do you want people to feel or think when listening to your music? What are you trying to achieve?
Let's say I do the soundtrack to my own live and to my dreams. And if the people get inspirations for their own live thru my music, I am happy. You know what makes me extremely happy is seeing people on the dancefloor closing their eyes and dancing like there is no end... forgetting that they are at a party and just feeling the sound. You start feeling the eternity! I love these moments......

You have tons of aliases - why start so many? Are they outlets for different sorts of music; how do you decide what sound fits with what moniker; does it ever get confusing?
I think mostly stopped all the names, only Babicz and Rob Acid are left. And Rob Acid is for the harder acid techno stuff.

Will there ever be any more Rob Acid? Does acid have a place in 2010's soundsphere do you think?
Acid is still alive, like it always was. I play acid in every set and have for 20 years. It's just the way you put it in... everything is possible.

You're playing in Ibiza again this season - can you tell us where and how the booking came about?
I will play two gigs at Warung at Privilege, and it brings two things together that I like: Ibiza and Brazil.....

How do you like playing on the island? How much does it differ to other gigs around the world?
It's this special feeling that you only get on an island, surrounded by the sea. Like being on the last party on planet earth.

Do you get the same out of it as you did when you first went and played? Does it still excite you as much? Why, why not?
As always I love every gig, I am maybe a pro these days, but I still jitter every time I am on the stage, even if you don't see it in my face, I am near dying, but after 10 minutes of playing I let it go and then there is just music and me and the people.

I understand you're doing a mix for Warung, too - what's the idea with that?
The idea is to make a free Babiczstyle CD as a gift to every clubber on Ibiza, and Warung things this is a very cool idea and support this!

What else are you working on in 2010?
I will visit many friends to make the collabs for my label, I travel every weekend somewhere on this beautiful planet, I want to learn more about photography and video.

Plan is to release a new Babiczstyle every 6 weeks, so enough work today... Besides that, mastering and remixes and live gigs!

robertbabicz.de
facebook.com/robertbabicz
myspace.com/robertbabicz

Source: Ibiza-Voice